

So we all saw the pictures of Robert Pattinson and Kristen Stewart leaving Budapest but here are the lovely couple arriving on Rob’s home soil of London, UK!
[Source: RobertPattinsonNews.
A report widely disseminated earlier today made big waves by claiming that “key scenes” in The Twilight Saga: Eclipse need to be reshot in Vancouver, and speculated that the development indicated production on the June release was troubled.
Gossip Cop looked into it, and we have the exclusive answers.
First, regarding the implication that these reshoots were unexpected, an authorized rep for the studio tells Gossip Cop, “The reshoot was planned for months, like it is with the majority of films.”
Let Gossip Cop settle some other false rumors.
Contrary to today’s inaccurate speculation, “creative differences” have not led Summit to consider bringing in another director for the reshoots.
David Slade is 100% directing them, like he did the entire movie, and the studio is “very happy” with his direction of the film, which internally is believed to be the best of the series.
As for the timing, speculation that there will be three rushed days of 18-hour shoots is incorrect. The Summit rep tells Gossip Cop that it’s a two-and-a-half to three-day shoot, and that “very little” actually has to be reshot.
But the biggest misconception concerned the specific scenes alleged to be those in need of a reshoot. The rep confirms to Gossip Cop, “None of the meadow or action scenes are being reshot.”
Asked to comment on today’s alarmist rumors, the authorized rep for the studio tells Gossip Cop, “Reports much like the one earlier today are ploys to drive traffic without any merit and without any support from the studio on what is actually going on or true.”
Gossip Cop will continue to bring accurate “Eclipse” production news before the film’s June theatrical release.
Multiple sources have confirmed to me that some key scenes need to be reshot including footage between “Bella” and “Edward” in the meadow and a few fight sequences. They’ve been waiting for weeks to confirm dates but have had to work around Robert Pattinson’s schedule. Originally they needed 7 days but now, due to his other commitments, it’s been proposed that they work for 3 days with the crew putting in 18 hours each day. This should happen in Vancouver in the new few weeks.
What’s more interesting is WHO would actually direct the reshoot. David Slade is the director for Eclipse. But I’m told that apparently David Slade’s relationship with Summit has been… not great. Creative differences. At one point things had supposedly deteriorated to the point that they were actually considering hiring someone else to reshoot in Vancouver. Some of the names tossed around? Chris Weitz and Catherine Hardwicke. Hardwicke is in Vancouver working on another new film to go in the summer. They’re looking at delaying that project and Hardwicke has been spotted undercover checking out studio and location space for the Eclipse reshoot.
Having said that, Slade and Summit are now communicating on better terms. And there is still a good possibility he could come back to Vancouver to complete his film. As of Monday, no final decision about a director had been made. Will keep you posted.
MARK JACOBS: Hi, Kellan? Where are you right now?Read the entire interview with Kellan Lutz here!!
KELLAN LUTZ: I am in my backyard in L.A. hanging out with my two dogs.
JACOBS: Who are your dogs?
LUTZ: Kola is a shepherd-husky mix I adopted from the Compton animal shelter. Kevin is the newest, most adorable member of our family. He’s a Chihuahua. I found him on the street when I came back from one of my trips.
JACOBS: You spent time on a dairy farm in Iowa while you were growing up?
LUTZ: Iowa is where the big farm was, where my grandparents lived. After my parents divorced, we would visit them. My mom would send me out to the pigpen, where we had these huge, huge pigs. I would stand there for six hours holding a hose, watering pigs. They’d dive in the mud and shake it off, and I’d go home covered in it. I loved the whole thing of getting wet and dirty and then getting in a warm bath.
JACOBS: You also have experience spraying crops and building silos. Are you aware of how this story reads in New York and L.A.? Anything involving uncontrived hard labor is irresistible to the style industry.
LUTZ: I’d rather do manual labor than sit behind a desk. And as my grandparents got older, I’d fly out there and help out around the farm. We’d tear barns down; we’d build barns. I’d rather be outside rolling hay or driving the tractors.
MORE HOT WET PHOTOS OF KELLAN AFTER THE BREAK!
JACOBS: Then how did you choose Hollywood?
LUTZ: I have a lot of older brothers who messed up in different ways in my mother’s eyes. So I learned from all of their mistakes. I can’t go into detail, but while I was growing up, I always tried to make it a goal to relieve some of the stress my mother went through. I applied myself to school very diligently. I wanted to go out of state so I wouldn’t have to depend on my mother. And L.A., where my father lived, seemed to call to me.
JACOBS: Why acting?
LUTZ: In L.A., I was meeting people who were all actors. My mind started to open up to what acting was. I didn’t realize that Brad Pitt was a real person. I didn’t think he was a robot or a machine, but I thought you were just born into acting—that it’s a family tree, kind of like NASCAR. No one can just say, “Hey, I’m going to be a
NASCAR driver.” They need to have some way in. Once I was in L.A., I realized anyone could do this. Why not give it a shot? I started going to a ton of acting classes, and I found I had a real passion for it, probably the biggest passion I’ve ever had in my whole life. So I decided to put school aside, put all my scholarships aside, put everything that I worked hard on for my mother and myself aside, and pursue this roller-coaster ride.
JACOBS: How old were you when you got the -Abercrombie & Fitch cover?
LUTZ: Eighteen. I was actually working in L.A. at an Abercrombie to make friends. I had no friends.
JACOBS: On the sales floor?
LUTZ: I was selling clothes. But I believe my personality helped, because I was the worst folder. I just couldn’t care to do it. I felt like I had ADD. I would just goof around and shoot rubber bands everywhere. Somehow the manager didn’t fire me, and I became a greeter, when you have to stand outside, you know, topless, and kind of finagle people into the store. Then Abercrombie had an audition, and my agency sent me out. I met Bruce Weber, and they chose me. I wasn’t the strongest, most fit, best-looking guy on that shoot, but somehow Bruce put me on the cover. I was just lying on the grass playing with this beetle, and they used that shot. I was still working at the store when the magazine came out two months later. I was just very lucky, and that opened up doors to acting.
JACOBS: Unlike some actors, you don’t seem to have a need to distance yourself from modeling.
LUTZ: It’s weird that the world sees modeling as a negative. It just blows my mind how many people think that because I was a model, I think I’m pretty and that I can use my looks to get ahead. I’m not pretty!
JACOBS: You really don’t think you’re pretty?
LUTZ: It’s funny when people say you have sex appeal or call you the next Brad Pitt. I just laugh. I’m not that. I don’t want to be that. “You’re a sex icon.” Why? Because I played a vampire in a movie? It’s all very unearned. If I had the best freaking abs in the world or if I looked like Brad Pitt does in Fight Club [1999], then cool, but I’m not starving myself. I eat what I want, and I’m not a workout fiend. My genetics are good, but they aren’t crazy He-Man style. I don’t get it, but I appreciate it. [laughs]
JACOBS: And sometimes you just like to go on a shirtless run with your dog, and people need to deal with it.
LUTZ: I don’t see why it’s special. I know a lot of people who run shirtless because they don’t want their clothes to get sweaty. I’m just a normal person. And I have four paparazzi who sit outside my house all day.
JACOBS: Your humility is charming, but do you ever look at other guys going up for a role and think, “I can destroy you with my good looks”?
LUTZ: I love competition. I thrive on it. I love being able to win the room over before even walking through the door. When I was going out for Twilight, I was a big guy, especially after Generation Kill. I was close to 200 pounds and just all muscle. The character description was a big, bulky fighter, a wrestler, a bear of a guy with a smile. I walked in the waiting room and I noticed nine other actors, and half of them were trying to do push-ups, and half of them were trying to be all tough. I chuckled to myself. I’m very perceptive. I love seeing guys out of the corner of my eye be like, “Great.” Because they see a guy walking in who totally looks the role. It’s funny. I don’t try to be cocky, but I’m just very confident because I know I did all of my homework. I also really love, love, love doing character pieces. I love wearing wigs to auditions, even though sometimes they don’t work. I love trying to play the not-confident guy, the guy against my normal character, because that’s when real acting comes into play.