

Above is a scanned picture of the latest edition of Entertainment Weekly that doesn’t hit shelves until April 16th, with a new picture from Eclipse of Kristen Stewart and Robert Pattinson as Bella Swan and Edward Cullen!


[Source: KStewartNews]






For Kristen Stewart, who reprises her role as Bella in Twilight: Eclipse, locking lips with costar Taylor Lautner (who plays her pal Jacob) felt odd—not just because she thinks of Lautner as a kid brother, but because Bella’s heart truly belongs to vampire hottie Edward Cullen (Robert Pattinson). “It felt really weird kissing someone else as Bella,” says Stewart. “I was like, ‘What the hell are you doing?’ It was a really strange experience—as it should have been.”



“Even though not every book will be right for every reader, the ability to read, speak, think and express ourselves freely are core American values,” said Barbara Jones, director of the ALA’s Office for Intellectual Freedom. “Protecting one of our most fundamental rights – the freedom to read – means respecting each other’s differences and the right of all people to choose for themselves what they and their families read.”[Source: Ala.org.
For nearly 20 years, the ALA Office for Intellectual Freedom (OIF) has collected reports on book challenges. A challenge is defined as a formal, written complaint, filed with a library or school, requesting that materials be removed or restricted because of content or appropriateness. In 2009, OIF received 460 reports on efforts to remove or restrict materials from school curricula and library bookshelves.
Though OIF receives reports of challenges in public libraries, schools, and school libraries from a variety of sources, a majority of challenges go unreported. OIF estimates that its statistics reflect only 20-25% of the challenges that actually occur.
io9.com was inspired to write an article explaining why they think the Twilight hate has gotten boring, after attending a convention in San Fransisco – *WARNING: Some Explicit Language used in below article*When the trailer for new Twilight movie Eclipse played at a recent fan convention in San Francisco, the crowd erupted in boos so loud the soundtrack was drowned out. That’s when I realized hating Twilight had gotten boring.Check out the rest of the article after the break!
Back when hating Twilight was cool
Maybe it’s my knee-jerk tendency to recoil from mob behaviour, but it seems to me that when hating something has become such a cliche that people catcall it before even watching the trailer – well, that’s not a taste judgment anymore. It’s just neuro-twitches working their way through lemming brains. If there was ever a time when hating Twilight was cutting-edge and cool, it was when the series was just a crypto-Mormon set of books about a mopey princess and her sparkly, obsessive prince whose penis has the power to blacken her womb.
Only the discerning hated those novels. There were interesting reasons to do it, like the fact that the books taught women that men were supposed to take care of them. And that it was OK to promise your infant daughter in marriage to a creepy adult guy who is in love with you.
But hating the movies? Anybody who has ever sneered at Hot Topic can do that. Hell, you can probably buy anti-Twilight gear at Hot Topic, right next to the pro-Twilight belt buckles. My point is that people are hating on the movies so vocally not because they have actually watched them, evaluated them in the context of other paranormal romance narratives, and deemed them aesthetically inferior. They hate them because it’s what everybody else is doing. Especially men.
Girls suck
Among commentators who are far too mature to break into enthusiastic boos when they watch a movie, there is a general consensus that these movies are “just for girls/women/mothers/daughters/sisters.” I can’t tell you how many men have told me informally – or written formally in various publications – things like, “My daughter is obsessed with Twilight and I don’t understand,” or “My wife and daughters are downstairs watching a Twilight movie. I am hiding upstairs.”
I guess I’m glad that women have discovered how to unseat male power over the home entertainment system with the push of a DVD player button. But I think if you scratch the surface of comments like that, what you find underneath is a room full of men screaming “booo” because they hate pop culture aimed at women. Or because they are scared of it. Whatever.
The point is: What the hell is wrong with women or anybody enjoying stories about girls fucking sexy monsters? Seriously, is that really any dumber than men fantasizing about sex with the chick in Species, or elf girl in Lord of the Rings? Or drooling over pictures of Kirk with the blue alien? The answer is no. It’s equally as dumb. And equally as awesome.
Congratulations – you’ve discovered your fantasies are stupid
Now that Academy Award winning director Bill Condon is on the short list to direct the final two movies in the Twilight cycle, it seems that even Hollywood is acknowledging that Twilight is more than a trashy teen phenom. It’s a powerful story that that hooks people despite the sparkles and emo dialogue.
And that is yet another reason I have grown bored with the Twilight hate. When confronted with a convention full of booing dorks, I just feel like shrugging disdainfully and saying, “Congratulations, boys – you have discovered what the entire world knew all along. Your fantasies are stupid.” Because really, Twilight at its heart is no different from any other fantasy franchise. It’s like Star Wars – except it’s set on Earth and the goal is to penetrate Bella’s womb with some guy’s flaming seed, rather than shooting it into the Death Star. OK, not really – but you get what I mean. We’re talking about adolescent power epics, with all the glory and embarrassment they entail.
I’m not saying people will come to cherish Twilight the way they do Star Wars. I’m just sick of hearing everybody trash Twilight for the very things they love in other stories: Impossible romance, epic battles that transcend generations, silly costumes, and growing up superpowered. Hating Twilight is just so tired, and it makes us all look like assholes. Maybe it’s time to start figuring out what’s cool about Twilight.
Send an email to Annalee Newitz, the author of this post, at annalee@io9.com.

The magazine is printed on a combination of luscious papers (Kristen’s feature is on a gorgeous, elite linen), and the outside cover is a re-imagined paper replica MCM handbag. This issue will augment collections the world over, and fans are welcome to pre-order copies directly through our office.If you wish to purchase a copy then email mary-catherine@flauntmagazine.com as I imagine these will get sold out fast!!
The issue itself costs $8.95, shipping is approximately $10.00, and fans are welcome to purchase copies by credit card or by checks made out to Flaunt Magazine. My e-mail address and phone number are listed below (which you are welcome to post on your site).
Pre-ordered issues will be available to ship in two weeks. This issue is very likely to sell out on newsstands!

In London overseeing the film score with Mr Howard Shore and enjoying all the gossip flying around. Onwards to the Eclipse!!In case you missed the story, here's what happened in a nutshell.











A report widely disseminated earlier today made big waves by claiming that “key scenes” in The Twilight Saga: Eclipse need to be reshot in Vancouver, and speculated that the development indicated production on the June release was troubled.
Gossip Cop looked into it, and we have the exclusive answers.
First, regarding the implication that these reshoots were unexpected, an authorized rep for the studio tells Gossip Cop, “The reshoot was planned for months, like it is with the majority of films.”
Let Gossip Cop settle some other false rumors.
Contrary to today’s inaccurate speculation, “creative differences” have not led Summit to consider bringing in another director for the reshoots.
David Slade is 100% directing them, like he did the entire movie, and the studio is “very happy” with his direction of the film, which internally is believed to be the best of the series.
As for the timing, speculation that there will be three rushed days of 18-hour shoots is incorrect. The Summit rep tells Gossip Cop that it’s a two-and-a-half to three-day shoot, and that “very little” actually has to be reshot.
But the biggest misconception concerned the specific scenes alleged to be those in need of a reshoot. The rep confirms to Gossip Cop, “None of the meadow or action scenes are being reshot.”
Asked to comment on today’s alarmist rumors, the authorized rep for the studio tells Gossip Cop, “Reports much like the one earlier today are ploys to drive traffic without any merit and without any support from the studio on what is actually going on or true.”
Gossip Cop will continue to bring accurate “Eclipse” production news before the film’s June theatrical release.

Multiple sources have confirmed to me that some key scenes need to be reshot including footage between “Bella” and “Edward” in the meadow and a few fight sequences. They’ve been waiting for weeks to confirm dates but have had to work around Robert Pattinson’s schedule. Originally they needed 7 days but now, due to his other commitments, it’s been proposed that they work for 3 days with the crew putting in 18 hours each day. This should happen in Vancouver in the new few weeks.
What’s more interesting is WHO would actually direct the reshoot. David Slade is the director for Eclipse. But I’m told that apparently David Slade’s relationship with Summit has been… not great. Creative differences. At one point things had supposedly deteriorated to the point that they were actually considering hiring someone else to reshoot in Vancouver. Some of the names tossed around? Chris Weitz and Catherine Hardwicke. Hardwicke is in Vancouver working on another new film to go in the summer. They’re looking at delaying that project and Hardwicke has been spotted undercover checking out studio and location space for the Eclipse reshoot.
Having said that, Slade and Summit are now communicating on better terms. And there is still a good possibility he could come back to Vancouver to complete his film. As of Monday, no final decision about a director had been made. Will keep you posted.


MARK JACOBS: Hi, Kellan? Where are you right now?Read the entire interview with Kellan Lutz here!!
KELLAN LUTZ: I am in my backyard in L.A. hanging out with my two dogs.
JACOBS: Who are your dogs?
LUTZ: Kola is a shepherd-husky mix I adopted from the Compton animal shelter. Kevin is the newest, most adorable member of our family. He’s a Chihuahua. I found him on the street when I came back from one of my trips.
JACOBS: You spent time on a dairy farm in Iowa while you were growing up?
LUTZ: Iowa is where the big farm was, where my grandparents lived. After my parents divorced, we would visit them. My mom would send me out to the pigpen, where we had these huge, huge pigs. I would stand there for six hours holding a hose, watering pigs. They’d dive in the mud and shake it off, and I’d go home covered in it. I loved the whole thing of getting wet and dirty and then getting in a warm bath.
JACOBS: You also have experience spraying crops and building silos. Are you aware of how this story reads in New York and L.A.? Anything involving uncontrived hard labor is irresistible to the style industry.
LUTZ: I’d rather do manual labor than sit behind a desk. And as my grandparents got older, I’d fly out there and help out around the farm. We’d tear barns down; we’d build barns. I’d rather be outside rolling hay or driving the tractors.
MORE HOT WET PHOTOS OF KELLAN AFTER THE BREAK!
JACOBS: Then how did you choose Hollywood?
LUTZ: I have a lot of older brothers who messed up in different ways in my mother’s eyes. So I learned from all of their mistakes. I can’t go into detail, but while I was growing up, I always tried to make it a goal to relieve some of the stress my mother went through. I applied myself to school very diligently. I wanted to go out of state so I wouldn’t have to depend on my mother. And L.A., where my father lived, seemed to call to me.
JACOBS: Why acting?
LUTZ: In L.A., I was meeting people who were all actors. My mind started to open up to what acting was. I didn’t realize that Brad Pitt was a real person. I didn’t think he was a robot or a machine, but I thought you were just born into acting—that it’s a family tree, kind of like NASCAR. No one can just say, “Hey, I’m going to be a
NASCAR driver.” They need to have some way in. Once I was in L.A., I realized anyone could do this. Why not give it a shot? I started going to a ton of acting classes, and I found I had a real passion for it, probably the biggest passion I’ve ever had in my whole life. So I decided to put school aside, put all my scholarships aside, put everything that I worked hard on for my mother and myself aside, and pursue this roller-coaster ride.
JACOBS: How old were you when you got the -Abercrombie & Fitch cover?
LUTZ: Eighteen. I was actually working in L.A. at an Abercrombie to make friends. I had no friends.
JACOBS: On the sales floor?
LUTZ: I was selling clothes. But I believe my personality helped, because I was the worst folder. I just couldn’t care to do it. I felt like I had ADD. I would just goof around and shoot rubber bands everywhere. Somehow the manager didn’t fire me, and I became a greeter, when you have to stand outside, you know, topless, and kind of finagle people into the store. Then Abercrombie had an audition, and my agency sent me out. I met Bruce Weber, and they chose me. I wasn’t the strongest, most fit, best-looking guy on that shoot, but somehow Bruce put me on the cover. I was just lying on the grass playing with this beetle, and they used that shot. I was still working at the store when the magazine came out two months later. I was just very lucky, and that opened up doors to acting.
JACOBS: Unlike some actors, you don’t seem to have a need to distance yourself from modeling.
LUTZ: It’s weird that the world sees modeling as a negative. It just blows my mind how many people think that because I was a model, I think I’m pretty and that I can use my looks to get ahead. I’m not pretty!
JACOBS: You really don’t think you’re pretty?
LUTZ: It’s funny when people say you have sex appeal or call you the next Brad Pitt. I just laugh. I’m not that. I don’t want to be that. “You’re a sex icon.” Why? Because I played a vampire in a movie? It’s all very unearned. If I had the best freaking abs in the world or if I looked like Brad Pitt does in Fight Club [1999], then cool, but I’m not starving myself. I eat what I want, and I’m not a workout fiend. My genetics are good, but they aren’t crazy He-Man style. I don’t get it, but I appreciate it. [laughs]
JACOBS: And sometimes you just like to go on a shirtless run with your dog, and people need to deal with it.
LUTZ: I don’t see why it’s special. I know a lot of people who run shirtless because they don’t want their clothes to get sweaty. I’m just a normal person. And I have four paparazzi who sit outside my house all day.
JACOBS: Your humility is charming, but do you ever look at other guys going up for a role and think, “I can destroy you with my good looks”?
LUTZ: I love competition. I thrive on it. I love being able to win the room over before even walking through the door. When I was going out for Twilight, I was a big guy, especially after Generation Kill. I was close to 200 pounds and just all muscle. The character description was a big, bulky fighter, a wrestler, a bear of a guy with a smile. I walked in the waiting room and I noticed nine other actors, and half of them were trying to do push-ups, and half of them were trying to be all tough. I chuckled to myself. I’m very perceptive. I love seeing guys out of the corner of my eye be like, “Great.” Because they see a guy walking in who totally looks the role. It’s funny. I don’t try to be cocky, but I’m just very confident because I know I did all of my homework. I also really love, love, love doing character pieces. I love wearing wigs to auditions, even though sometimes they don’t work. I love trying to play the not-confident guy, the guy against my normal character, because that’s when real acting comes into play.







